His flow’s are good, the beats switch from lackluster like the generic Arabic dance track “Taking My Ball” to the twinkly, horror dreamy “Music Box”, but other than its terrible.
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Eminem clearly thought that the horror movie lyricism of his last album was the direction rather than the “Beautiful” and “Underground” material. Then there’s the OTHER good song on the album “Drop The Bomb on Em”, featuring one of the bounciest beats Dre ever gave Em, with Em considerably just ripping up the beat with some of his funnier lyrics in years (“f-cking fictitional characters and fairytales/prepare yourself for Captain America on Ferris Wheels/but it aint fiction its fact boy beware its real/them lyrics you wield equals zero to a hero’s shield”) along with some slightly misplaced arrogance and regular rap repping.Īnd then there’s the disastrous middle. There’s the overzealously overrated “Forever”, containing an off-kilter verse from Eminem who, although sounds awkward at first in being paired with Drake and Kanye West, puts out with his most masterful attempt at the fast flow in years, while Kanye West continues on his lyrical revival, and drops some funny as hell lines (“Old Money Benjamin Button, what, nuttin/ Now superbad chicks givin me Mclovin”). If that’s so, then is Refill Em’s 2001, a slightly worse, more inconsistent album that sort of states the same issues brought up in the original? Unfortunately for fans of the serious tracks of Relapse, that’s an undoubted yes, but there’s still some good stuff that resides on this zone. Valium is one f ucked up drug man… If weed inspired The Chronic, then valium inspires the inconsistent drugginess of Relapse. Now take away 1.5 from your score on that album and that's Refill.